an eddy in the bitstream

Year: 2005 (Page 3 of 12)

ViewCVS for SVN repositories

At last. After some weeks of on-again off-again attempts at getting a web-based browser for my SVN repositories working, I finally hit the magic combination. Seems that the load path for Python was not including /usr/local/lib by default (despite it being set for the system) so I added a SetEnv directive to my httpd.conf and viola. [ link deleted since I’m not ready to actually reveal any code… ]

Usability

I’m a big fan of those people who work at making things easier to use. And since I’ve mentioned this site twice to folks, and since I’ve had to search for it twice now too, thought I should make it easier on myself and record it here. The Open Usability group lets you register your project for consultation with folks who care how things work (via the Minnesota Interactive site).

New Job

A little slow here recently, as I’ve taken a new job and with it, a new schedule. After five years, I’ve moved on to a new IT job. Five years is a long time to stay in one place, in this industry. The change is good.

Post-Rapture Radio

Russell Rathbun’s book is funny, thoughtful and crazy … in a good way. I was reminded of the off-balance depths of Douglas Coupland’s best writing.

Full disclosure: Russell is a friend, and I was a member of his congregation for over seven years. Yes, most of the sermons in the book I’ve heard before. They actually come across better in print, or at least, in the context of the whole book. He’s done a good job weaving these parts together.

I especially liked how dis-integrated/confused the identities of the character(s) got in the second half of the book. The levels of identity kept shifting on me: was it a typo? did he really mean Rathbun, not Lamblove?

That sense of keeping the reader (listener) off-balance is what I’ve always enjoyed about Russell’s sermons: in the space that opens when I’m off-balance or caught thinking in a different direction, the shock of the twist, the unexpected feint, in his stories, is where I feel the wind move. Flannery O’Connor did that well (there’s a nice allusion to her in the closing line of one story); so did Kierkegaard, Walker Percy — other great writers to whom Russell is indebted and to whom he will be compared. He deserves the comparison.

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